Of a new pain behoves me to make verses And give material to the twentieth canto Of the first song, which is of the submerged. I was already thoroughly disposed To peer down into the uncovered depth, Which bathed itself with tears of agony; And people saw I through the circular valley, Silent and weeping, coming at the pace Which in this world the Litanies assume. As God may let thee, Reader, gather fruit From this thy reading, think now for thyself How I could ever keep my face unmoistened, When our own image near me I beheld Distorted so, the weeping of the eyes Along the fissure bathed the hinder parts. Truly I wept, leaning upon a peak Of the hard crag, so that my Escort said To me:
Canto 21 Themes and Colors Key LitCharts assigns a color and icon to each theme in Inferno, which you can use to track the themes throughout the work.
Sin, Justice, Pity and Piety Paganism vs. Christianity This World vs. At this sight of such bodily disfigurement Dante describes the sinners' tears welling up and streaming down their backsDante begins to weep. Virgil chides him for this, and tells him he can choose between pity and piety.
This gives Virgil the chance to re-emphasize how all of the suffering in hell is part of God's divine justice. To weep at what God has rightly ordered against the wicked is itself wicked, as he teaches Dante.
Active Themes Virgil tells Dante to look at one of the backwards-facing souls, Amphiaraus a seer of Greek mythology.
Virgil explains that because Amphiaraus tried to see too far ahead, he now can only see behind him.
He then points out Tiresias, another famous mythological seer, as well as Manto, a female seer who settled in Mantua, in northern Italy Virgil's birthplace. After she died, people gathered and built a city around her burial place, naming the city Mantua after her.
Virgil points out to Dante three famous seers of classical myth. As an illustration of God's divine justice, their punishment fits their sin. For trying to see too far ahead, they can now only see behind them.
Their punishment thus matches and completes their sin. Active Themes Related Quotes with Explanations Virgil insists that this is the true story of the origins of Mantua, and that other versions of its foundation are false.
Dante assures Virgil that he believes him entirely. Virgil points out more seers and witches in this part of hell, before telling Dante that it is time to move on, because the moon is beginning to set. Virgil insists upon the truth of his speech and Dante readily believes his trustworthy guide.A summary of Cantos XVIII–XX in Dante Alighieri's Inferno.
Learn exactly what happened in this chapter, scene, or section of Inferno and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Dante è giunto al ventesimo Canto della prima Cantica e deve descrivere una nuova pena, quella degli indovini della IV Bolgia dell' VIII Cerchio che bagnano il fondo della fossa di pianto angoscioso.
Il poeta vede avanzare una schiera di dannati che tacciono e piangono, avanzando lentamente come in una processione: guardando più in basso, si . Free summary and analysis of Inferno Canto XX (the Eighth Circle, Fourth Pouch: Diviners, Astrologers, and Magicians) in Dante Alighieri's Inferno that won't make you snore.
THE INFERNO The Fortune Tellers and Diviners. In this Canto we watch as Dante enters The eighth circle of hell, Bolgia four. Here we see the sinners,The Fortune Tellers and Diviners. CANTO XX, Dante's INFERNO Classification of Sin: The Fortune Tellers and Diviners have committed the sin of telling.
Summary. The poets descend further and come to a group of broken boulders, behind which they rest a bit so that they can become accustomed to the foul stink that rises from the lower circles.
Cantos XVIII–XX Summary: Canto XVIII. Virgil and Dante find themselves outside the Eighth Circle of Hell, known as Malebolge (“Evil Pouches”).